About
Clara Berta’s acrylic and mixed-media paintings blend texture and color to create harmony, mystery, and depth on the painted surface. Her paintings transform spaces into Zen environments where one can quiet a cluttered mind and enjoy beauty every day. Clara Berta’s paintings explore themes such as the ebb and flow of memory, the significance of personal heritage, the passing of physical time, desire, grief, and love.
This minimalist artwork is 36 inches square. The sides of this original artwork are painted white. It is stretched, wired, and ready to hang. It is signed and titled by the artist on the back. Free local Los Angeles area delivery. Affordable Continental U.S. and worldwide shipping available. A certificate of authenticity issued by the art gallery is included.
Clara Berta explores the collision between the old and new; destruction and rebuilding lives. She began painting as an outlet of grief; creating something beautiful as the result of loss. Through her creative practice, she has found healing, and further offers to her community safe spaces for troubled teens and women to heal through the meditative process of painting. Her artworks are a language, a push forward in new directions and achievements, while always inspired by history. Berta mixes minimalism with underlying texture and embraces modernism while compiling the odds and ends of her attempts to let her art speak for itself.
Her abstract works often include reminders of her travels expressed in unexpected sequences of patterns as well as distortion of perspectives and subconscious spaces. Manipulating the texture with several layers of texture paste and acrylic paint, she will work and re-work her canvases, layering textures to give added dimension, and creating works that intrigue and invite the viewer to explore not only the surface but also the inner language of the painting.
A passionate, award-winning artist of Hungarian heritage, Clara Berta's dynamic and highly textural abstract works have been exhibited and collected worldwide.
