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Valerie Etitinwo

Valerie Etitinwo


Nigerian-Swiss artist Valerie Etitinwo creates abstract figurative paintings which celebrate the beauty of ugliness and awkwardness. Raised in dichotomous cultures, Etitinwo found art as a coping mechanism to interpret the world around her. Etitinwo’s artworks transcend each of her surrounding cultures to create work that is universally relatable through the celebration of imperfections. She creates her work with the conviction to push her creativity and expression to a level of intriguing “ugliness.” With each artwork she fights the temptation of “cuteness” to go beyond what is expected.

“I like creating art that catches the eyes not because of how pretty it is but because of how imperfect it looks. I’m really not a perfectionist. I’m quite the opposite. I’m an “imperfectionist”. I like how disorganized some of my pieces are. I like using bold colors and awkward shapes to represent humans. I would say my favorite artistic movement is cubism. But my artwork is definitely not cubism. I just have an appreciation for its absurd shapes, especially in portraits. I like painting faces like masks."

Etitinwo’s artworks have been featured on major TV shows such as “Insecure” and “The Flight Attendant” on HBO and have been collected worldwide by prominent collectors ranging from influential executives to film producers.

All artworks by artist



Balancing two contrasting societies, Valerie Etitinwo found herself in a challenging position, but her art and self-exploration paved a unique path of self-expression. Through her artworks, she skillfully deconstructs Nigerian stereotypes, offering a fresh perspective. While at home, she was enveloped in the vibrant tapestry of Nigerian culture celebrated through food and music. Raised in this dichotomy of cultures, Etitinwo turned to art as a means to interpret the world around her. As a Nigerian-Swiss artist, Valerie Etitinwo specializes in crafting abstract figurative paintings that celebrate the beauty within ugliness and the grace within awkwardness.

Etitinwo’s artworks transcend each of her surrounding cultures to create work that is universally relatable through the celebration of imperfections. She creates her work with the conviction to push her creativity and expression to a level of intriguing  “ugliness.” With each artwork, she fights the temptation of “cuteness” to go beyond what is expected.

“I like creating art that catches the eyes not because of how pretty it is but because of how imperfect it looks. I’m really not a perfectionist. I’m quite the opposite. I’m an “imperfectionist.” I like how disorganized some of my pieces are. I like using bold colors and awkward shapes to represent humans. I would say my favorite artistic movement is cubism. But my artwork is definitely not cubism. I just have an appreciation for its absurd shapes, especially in portraits. I like painting faces like masks. “

As a very introverted person, Etitinwo likes observing people more than actually talking to them. Because she has been around Nigerian “aunties” her entire life, they instantly became the subjects of her artwork. Etitinwo’s work revolves around their actions and mannerisms as she didn’t quite understand them growing up. She aims to create artworks that deconstruct Nigerian culture and stereotypes. “I’m old enough to understand [stereotypes] but also young enough to question them.”
Balancing two contrasting societies, Valerie Etitinwo found herself in a challenging position, but her art and self-exploration paved a unique path of self-expression. Through her artworks, she skillfully deconstructs Nigerian stereotypes, offering a fresh perspective. While at home, she was enveloped in the vibrant tapestry of Nigerian culture celebrated through food and music. Raised in this dichotomy of cultures, Etitinwo turned to art as a means to interpret the world around her. As a Nigerian-Swiss artist, Valerie Etitinwo specializes in crafting abstract figurative paintings that celebrate the beauty within ugliness and the grace within awkwardness.

Etitinwo’s artworks transcend each of her surrounding cultures to create work that is universally relatable through the celebration of imperfections. She creates her work with the conviction to push her creativity and expression to a level of intriguing  “ugliness.” With each artwork, she fights the temptation of “cuteness” to go beyond what is expected.

“I like creating art that catches the eyes not because of how pretty it is but because of how imperfect it looks. I’m really not a perfectionist. I’m quite the opposite. I’m an “imperfectionist.” I like how disorganized some of my pieces are. I like using bold colors and awkward shapes to represent humans. I would say my favorite artistic movement is cubism. But my artwork is definitely not cubism. I just have an appreciation for its absurd shapes, especially in portraits. I like painting faces like masks. “

As a very introverted person, Etitinwo likes observing people more than actually talking to them. Because she has been around Nigerian “aunties” her entire life, they instantly became the subjects of her artwork. Etitinwo’s work revolves around their actions and mannerisms as she didn’t quite understand them growing up. She aims to create artworks that deconstruct Nigerian culture and stereotypes. “I’m old enough to understand [stereotypes] but also young enough to question them.”
FILM & TV
Insecure, HBO
The Flight Attendant, HBO